In the heart of suburban Melbourne, a quiet Nigerian shoe salesman named Azubuike leads a humble life, selling soles while attempting to stay connected with his sister and their close-knit Igbo Christian congregation. Experiencing a recent waning of faith, fueled by an unexpected financial setback, Azubuike begins to interrogate not only his spiritual identity but also his purpose in life. At the same time, he must attempt to forge closer ties with his distant yet perceptive adolescent son Obinna, who has just begun living with him full time.
As father and son navigate the uneasy terrain between tradition and transformation, they find themselves confronting their perceptions of each other. Bolstered by the grace offered by their communities, they start to move toward common ground. A meditation on inheritance and dislocation, Pasa Faho unfolds as a heartwarming tale of reconnection, resilience, and the quiet beauty of starting again.
indieactivity: How big was the crew?
During the shoot we had a full time crew of 40, and on bigger days we had additional casuals.
Pasa Faho Trailer by Kalu Oji
Q: How was the film received?
A: Since Pasa Faho’s world premiere at the Melbourne International Film Festival in August. The reception has been beyond what we can imagine. It felt very warm and fulfilling to receive so many positive, heartfelt thoughts of the film. This came from among friends, family, community & critics. It’s an Australian film focused on a small community. But its audience is vast and wide and everyone can get something out of this film. I think audiences were surprised about seeing a Melbourne that has been existing. But that is far less documented on screen and widely Australian and Black diaspora cinema. Which is an exciting time to be a part of as filmmakers.
What was it like playing such an intense character of Max?
A: Max was a fun character to play. I enjoyed messing with some of the crew who didn’t know whether to call me Max or Adam. It’s a strange ask to relate to someone who has committed disgraceful acts. But, the satisfaction comes when you find truth in the most unfamiliar of perspectives. The cat and mouse dance with Gary Beadle’s character was an intriguing dynamic to explore.
Any words of advice for new filmmakers?
Mimo Mukii (MM): If you are able to find people you love working with and who inspire you. It will make the hard bits of filmmaking much easier to bear. And, it’s important to know when to take advice and feedback, When to trust your gut. Especially if you are telling a story from your own lived experience.
Ivy Mutuku (IM): Trust that your voice matters even when it feels small or unseen. The world doesn’t need another imitation; it needs your truth, your lens. I would also advise to not wait for permission to start. Make something with what you have, where you are, the goal is relevant. But, the journey is the most important part. Lastly, integrity. Protect your sense of self through it all. Your story is your superpower; tell it in a way that feels honest, tender and entirely your own.
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