Mexican-Italian Actress Priscilla Ventura Reveals Her Acting Journey

Priscilla Ventura_indieactivity
`Priscilla Ventura is a Mexican-Italian actress. Her credits are The Onion Boy (2017), Rising (2017), and The Face of God (2017).

During the audition, the Producer had asked Priscilla Ventura if she could act, host or dance. She had never done any acting nor hosting before that time. She was willing to try. So he had admitted her into the Show as one of the main hosts, doing comedy shorts. That experience triggered Priscilla Ventura’s interest in acting.

indieactivity: Did you study acting?
Priscilla Ventura (PV): Yes I did, very little though. The acting classes I took were provided by the TV show. The academy is El Cast. Which provided the actors with singing, dancing, hosting, and acting lessons. My coach at the time was Nacho S. Fentanes. However, the most effective training or studying was the experience in front of a live audience and a camera for the show.

Priscilla Ventura_indieactivity
Priscilla Ventura

What acting technique do you use?
Priscilla Ventura (PV): I prefer to use the Stella Adler method because in my experience I prefer to rely on the combination of imagination and emotional recall to help me be as authentic and real as possible. Many times on set when I am preparing for a character, I will study the character and gain an understanding of it so I can feel like I am truly able to portray who I need to be for the scene. I find this incredibly effective when I can’t connect a character to my own life or experiences.

Do you take courses to improve your craft?
Priscilla Ventura (PV):
I am a regular at many acting workshops throughout my career, but the one that I value the most, is actually the last one I attended. I took Tom Logan’s workshop, and what stuck with me the most was not so much acting but learning how the industry really works versus how the majority of actors think it works.

What acting books do you read?
Priscilla Ventura (PV): The only acting book I’ve read is “The Art of Acting” by Stella Adler.

How do you keep fit as an actor?
Priscilla Ventura (PV): I have a personal trainer and I work out 4 days a week. I’m also a hip hop dancer and take 6 classes a month at various studios. While these both keep me fit physically, they both also keep me fit mentally. Connecting to music and expressing it through movement helps me experience a roller coaster of emotions and scenarios depending on the music. Meanwhile working out doubles as a disciplinary exercise for pushing my limits and overcoming things that may seem daunting.

Priscilla Ventura_indieactivity
Priscilla Ventura

How do you prepare for a role?
Priscilla Ventura (PV): I take the initiative and ask the Director about the role and what do they expect from the role. I ask what the role’s personality should be like and what their background story is. From here I often study the role and anything related to it, apply the Stella Adler method and go from there

How do you create a character from a script into a person?
Priscilla Ventura (PV): I believe and become that character. I create this character in my head and allow it to overtake my ego, I guess you could say creating an alter ego. While my life and experiences may still be the fuel for the character, the imaginary process of letting one identity go, and allowing another to take control, as well as fully committing to this “thought-reality” is what helps me turn a character from a script into a real person.

How do you stay fresh on a production set?
Priscilla Ventura (PV): Between cuts, I don’t “fully” break character, because for me it’s more like putting a call on hold while taking another. One is simply between time, while actively open and in control. For me, this is less emotionally and mentally taxing. Allowing me to stay fresh for long periods of time.

Describe a memorable character you played?
Priscilla Ventura (PV): The most memorable character I play is Una in “The Onion Boy” in 2017. Unfortunately, I am not able to share any pictures.

Explain one creative choice you took on set?
Priscilla Ventura (PV): On a comedy skit I was doing I had to play a Latina mother at 16 years old. The producer didn’t tell me how the character actually speaks or acts, so I created my own dialect/accent and way of carrying myself that I believed was appropriate for the role.

What do you want most from a director?
Priscilla Ventura (PV): A detailed explanation and expectation for my character. This helps me tremendously in building a connection with my role.

What actors do you long to work with?
Priscilla Ventura (PV): Leonardo Dicaprio.

Why?
Priscilla Ventura (PV): I have a lot of respect for his variety of characters and roles that he has played. I feel like every single role he has ever had was played flawlessly and I strive to have that level of execution in my acting. I am also extremely curious to see how he prepares and studies his roles.

What advice would you give to actors?
Priscilla Ventura (PV): Patience is key! Nothing happens overnight, and you cannot be discouraged by the negative remarks of others. It is vital to work as hard as you can, but overworking can be destructive.

Briefly write about your career?
Priscilla Ventura (PV):
My career started when I was 11 years old on a kids’ show called Satellite TV that aired on Sintesis TV and Telemundo33 in Mexico. At 16 years old I did a horror short film, my first drama film as the main role. I played a girl that worked at a movie shop, who has been experiencing paranormal activity. When I turned 18 I stopped working for the kids’ show, due to becoming too old to continue on the show.

I continued to build my career doing short films in the USA, becoming an extra for the movie “Refuge from the Storm” and being on music videos for upcoming artists.

I’ve been getting main roles in short films as “Bat Girl”, an assassin, Una on “The Onion Boy”, a horror short film as Skyler on “The Face Of God” and many more.


Let’s have your comments below

Socials
LinkedIn
IMDb
Facebook
Instagram

MORE STORIES FOR YOU
Kabelo Maaka & Dr. Tshepo Maaka, Daughter-Mother Filmmaker Duo, Unveil Their Short Educational Animation, 3 Teaspoons of Sugar

Kabelo Maaka & Dr. Tshepo Maaka, Daughter-Mother Filmmaker Duo, Unveil Their Short Educational Animation, 3 Teaspoons of Sugar

The Nut & Bolts of “PEGGY” by Justin O’Neal Miller

The Nut & Bolts of “PEGGY” by Justin O’Neal Miller

TIME by Hans Zimmer: A Visual Reinterpretation of a Masterpiece

TIME by Hans Zimmer: A Visual Reinterpretation of a Masterpiece

“What happens when you visually reinterpret one of film’s most iconic scores?”

Why Performance, Not Budget, Defines Great Indie Filmmaking

Why Performance, Not Budget, Defines Great Indie Filmmaking

— How one director built an emotionally driven film through performance and precision

Joshua Dowdy, Producer on Perfectly Timed Ramps Up His Career

Joshua Dowdy, Producer on Perfectly Timed Ramps Up His Career

Tell friends

PinIt

About Dapo

I am a screenwriter and filmmaker. I am pre-production for my first feature film, Maya. I made four short films, sometime ago: Muti (2013), A Terrible Mistake (2011), Passion (2007) and Stuff-It (2007) - http://bit.ly/2H9nP3G

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.