Hi, and thank you, IndieActivity, for having me. My name is Valentina Berti, and I’m a cinematographer from Milan, Italy. I currently work between Los Angeles and Milan, two cities that continue to shape my creative voice in very different ways.
My journey into visual storytelling began in 2020, when I started shooting short-form fashion films. That same year, I had the opportunity to work as the cinematographer on a short film titled Noia. That experience changed everything for me; it was the first time I truly understood how powerful cinematography could be and what the camera could express without words. That project sparked something I couldn’t ignore.
From there, I committed myself fully to the craft. In 2022, I moved to Los Angeles to pursue my passion. I began shooting short narrative films, fashion content, and eventually commercial work, constantly learning through experience and collaboration.
Along the way, I also developed a strong passion for photography. It became a parallel creative outlet that allowed me to connect with several creatives and directors in Los Angeles who recognized something distinctive in my visual language. That recognition opened new doors and led to opportunities on international editorial projects, such as the Moving Cover of L’Officiel Hommes in 2024.
indieactivity: We took a deep look at your work. What is your inspiration for shots?
Valentina Berti (VB): My inspiration comes from a mix of emotion, observation, and constant research. It’s also about knowing what you truly connect with, rather than being a fan of everything.
There’s something about the colors and atmosphere of the night that I find very compelling; they seem to mirror my internal landscape in a way that daylight rarely does. The emotional texture of nighttime feels more aligned with the stories I’m drawn to tell. As a result, most of my short films are set in dimmer, moodier environments, and I tend to avoid shooting in bright afternoon light unless it serves a clear narrative purpose.
At the same time, I’m a big believer in research. I spend time exploring photography archives, cinematography references, magazines, and anything that helps me connect with the tone I want to express. I collect visual materials, color palettes, lighting references, and framing ideas that align with my personal aesthetic.
For me, inspiration isn’t just a sudden spark; it’s a habit. It’s something you develop by consistently looking, collecting, and reflecting. It’s a balance between instinct and intention.
What are some of the hardships and challenges you face?
Valentina Berti (VB): One of the biggest challenges I face is maintaining creative clarity while working in fast-paced or resource-limited environments. Cinematography is incredibly collaborative, and sometimes you’re navigating tight schedules, unpredictable locations, or limited gear, and you still have to deliver something emotionally strong and visually intentional. That requires constant problem-solving.
What legacy and hope for future projects can a cinematographer have? Can it be transforming and visionary?
Valentina Berti (VB): Absolutely. I strongly believe that the best work of a cinematographer happens when the project itself resonates with you. In those moments, you’re not just building someone else’s vision, you’re bringing your own sensitivity and perspective into the frame. It fuels your passion and reminds you why you started in the first place.
This job, at least for me, is deeply emotional. When that emotional connection is present, cinematography becomes something visionary. It’s no longer just about technique; it becomes about presence, intuition, and trust.
Do you have any habits that you feel contribute to your effectiveness?
Valentina Berti (VB): Something that really helps me in this work is believing in myself. Like anyone, I sometimes deal with self-doubt or moments where I question whether an idea will work, or if I’m on the right path. But I’ve learned to trust my instincts and keep moving forward.
I also try to approach every project with genuine enthusiasm and joy; that’s what keeps me motivated. When I feel happy and connected to what I’m doing, I know I’m in the right place creatively.
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